A vertically framed indoor portrait shows two adults positioned closely together in the center of the frame. The camera angle is slightly above eye level and tightly cropped around the upper bodies. The foreground subject is seated facing slightly left of center with the torso angled diagonally toward the lower right corner. The second subject is positioned behind and above the seated subject, leaning forward with both arms wrapped around the front subject’s shoulders and upper chest area. The background subject’s face appears near the upper right quadrant while the foreground subject occupies most of the lower and center-left area of the frame. The image depth is shallow, with the subjects sharply focused against a darker blurred interior background.
The foreground subject has short layered hair with wet-textured strands falling forward across the forehead and separated into irregular sections. The hair has moderate volume at the crown and sides with tapered sides around the ears. The face is angled downward and slightly toward camera left. The eyebrows are narrow and defined. The eyes are partially lowered and directed toward the camera area. The nose bridge is straight and narrow. The lips are slightly parted with the lower lip partially obscured by a gloved hand. The jawline is narrow and defined. The subject wears a sleeveless fitted black top with a smooth matte texture and close body fit. The fabric stretches across the shoulders and torso with visible tension folds near the chest and waist. A black belt with a rectangular buckle is visible at the lower edge of the frame. The right hand is raised to the mouth area wearing a black leather glove with a glossy reflective surface, visible seams, and a snug fit around the fingers. The fingertips rest lightly against the lips and chin. A metal chain bracelet is attached near the glove wrist area. The left arm extends downward out of frame with the shoulder exposed.
The background subject has long hair gathered into a high loose bun with multiple strands escaping around the face and sides. Several thin strands hang vertically along the cheeks and neck. The face is positioned directly beside the foreground subject’s head and angled toward the camera. The eyebrows are softly arched and narrow. The eyes are open and directed toward the camera. Eyelashes are visible and defined. The nose is narrow with a smooth bridge. The lips are closed with a slight upward curve. The jawline is narrow and rounded. The subject wears a sleeveless black top with a smooth matte texture. Both arms are wrapped around the foreground subject from behind. The right forearm crosses horizontally over the foreground subject’s chest and shoulder area. The left hand rests near the foreground subject’s upper arm. Both hands wear black leather gloves with reflective highlights, visible seams, and fitted finger structure. Small hoop earrings are visible on the ear closest to the camera. A thin necklace chain is faintly visible around the neck.
Lighting comes from the front-left side of the frame, creating bright highlights on the faces, shoulders, gloves, and hair while leaving the background in shadow. The leather gloves show distinct reflective highlights and creasing along the fingers and knuckles. Skin surfaces show soft specular highlights on the shoulders, cheeks, nose bridge, and forehead. The background contains dark vertical structural elements and blurred interior surfaces with brown and black tones. A textured upholstered surface appears behind the foreground subject’s left side. Metallic reflections are visible on the belt hardware and glove accessories. A small four-point star-shaped white graphic appears near the lower right corner of the image.

Use the uploaded reference person as the identity and body-shape source. The reference defines the character’s face, skull shape, facial proportions, skin tone, hair color, body proportions, body mass distribution, silhouette, softness, height impression, and natural anatomical structure.
Do not copy clothing, pose, background, lighting, camera angle, or environment from the reference image.
Scene Reconstruction:
Recreate the extracted scene using its clothing, pose, environment, lighting, camera angle, object placement, and composition.
However, the reference subject’s body proportions and silhouette override the extracted scene whenever there is a conflict.
Body Fidelity — Highest Priority:
Preserve the reference subject’s shortstack proportions, natural body width, body mass, soft body features, weight distribution, torso-to-leg ratio, limb thickness, shoulder width, waist shape, hip shape, thigh volume, arm volume, and overall silhouette.
Retain visible natural body volume and softness consistent with the reference subject.
Do not make the body slimmer, taller, longer-legged, narrower, more athletic, more hourglass, more fashion-model-like, or more conventionally idealized.
Do not reduce body mass. Do not elongate the limbs. Do not narrow the waist. Do not shrink the arms, thighs, hips, torso, or face.
Identity Fidelity:
Preserve the reference subject’s facial structure, skull shape, facial proportions, skin tone, undertone, natural skin texture, pores, asymmetries, imperfections, and hair color.
Do not beautify, stylize, smooth, reshape, normalize, balance, or idealize the face or body.
Hair:
Use the hairstyle from the extracted scene, but apply only the reference subject’s natural hair color and texture.
Pose:
Preserve the pose from the extracted scene, but adapt it naturally to the reference subject’s original body proportions and mass. Do not force the pose to create a slimmer or elongated body.
Environment and Lighting:
Preserve the extracted scene’s environment, perspective, lighting direction, shadows, atmosphere, background, and object interactions.
Clothing and Details:
Preserve the extracted scene’s clothing, accessories, materials, seams, textures, jewelry, nails, reflections, folds, wrinkles, and object interactions.
Rendering:
Naturalistic photographic realism with realistic human anatomy, natural skin microtexture, physically accurate lighting, realistic fabric behavior, and unidealized body structure.
Negative Constraints:
No slimming, no body reshaping, no leg elongation, no waist narrowing, no beauty correction, no athletic normalization, no fashion-model proportions, no facial reshaping, no skin smoothing, no anatomy correction, no stylization, no pose reinterpretation, no outfit change, no background change, no lighting change.
Output Format:
Vertical portrait composition, 1024x1536 resolution.