A vertical mirror selfie composition shows an adult woman positioned centrally in the frame, photographed through a tall rectangular mirror with a light-colored frame visible along both vertical edges. The camera perspective is slightly above floor level and angled straight toward the mirror. The subject is crouching low with both knees bent and legs folded beneath the body, facing slightly toward the right side of the frame while the face turns toward the mirror. The torso remains upright with shoulders level. One arm extends upward holding a smartphone in front of the upper torso, partially covering the center-right side of the face reflection. The opposite arm hangs downward beside the body with the hand relaxed near the floor. The visible hand holding the phone has fingers wrapped around the device edges, with the thumb positioned along the side. The smartphone has a light-colored matte case with three visible rear camera lenses arranged in the upper corner.
The subject wears an off-shoulder light pink dress with long loose sleeves extending past the wrists. The neckline sits horizontally across the upper chest and shoulders with gathered fabric and a centered drawstring tie at the front. The bodice has structured corset-style paneling with vertical seams and visible lace-up detailing running down the center front and lower waist area. The waist is tightly fitted, transitioning into a lightweight semi-sheer skirt section that falls above the knees with soft folds and layered fabric. The sleeves widen gradually toward the cuffs with flowing drape. The fabric appears lightweight with matte texture and slight translucency in the skirt layers under ambient light. The subject wears open-toe heeled sandals in a pale tone with ankle straps and decorative butterfly-shaped appliqués positioned over the toe area. A thin necklace with a small circular pendant rests at the center of the neck. A thin bracelet is visible on the wrist opposite the phone hand. Fingernails appear light-colored. Makeup details include defined eyebrows, darkened eyelashes, even skin finish, and softly outlined lips.
The hair is long with layered structure and high volume, extending below the shoulders. The hairstyle includes a center part with loose face-framing strands and soft outward curvature through the lower lengths. The hair falls naturally over both shoulders with slight wave and feathered texture.
Facial structure visible in the reflection includes almond-shaped eyes directed toward the phone screen, defined eyebrows with smooth arch, a narrow nose bridge, closed lips with slight separation, and a softly tapered jawline. No visible facial hair or eyewear is present.
The environment is an indoor rustic-style room with textured light stone walls and exposed dark wooden ceiling beams angled across the upper portion of the frame. Warm ambient lighting enters from overhead fixtures and wall-mounted lamps. Hanging woven baskets filled with dried and artificial floral arrangements descend from the ceiling in the upper left and upper center background. Additional dried flower arrangements and decorative plants occupy shelves, baskets, and containers throughout the room. A wooden shelving cabinet stands behind the subject on the right side containing stacked dishes, framed objects, candles, and decorative containers. A wooden table with floral arrangements occupies the left side of the frame. The floor consists of large rectangular stone tiles in light neutral tones with visible grout lines. The mirror reflection accurately preserves the room depth and object positioning, including partial reflections of shelves, flowers, baskets, and wall textures. Soft shadows appear beneath furniture and around the crouched figure, with overall warm diffuse illumination distributed evenly across the room. 
Use the uploaded reference person as the identity and body-shape source. The reference defines the character’s face, skull shape, facial proportions, skin tone, hair color, body proportions, body mass distribution, silhouette, softness, height impression, and natural anatomical structure.
Do not copy clothing, pose, background, lighting, camera angle, or environment from the reference image.
Scene Reconstruction:
Recreate the extracted scene using its clothing, pose, environment, lighting, camera angle, object placement, and composition.
However, the reference subject’s body proportions and silhouette override the extracted scene whenever there is a conflict.
Body Fidelity — Highest Priority:
Preserve the reference subject’s shortstack proportions, natural body width, body mass, soft body features, weight distribution, torso-to-leg ratio, limb thickness, shoulder width, waist shape, hip shape, thigh volume, arm volume, and overall silhouette.
Retain visible natural body volume and softness consistent with the reference subject.
Do not make the body slimmer, taller, longer-legged, narrower, more athletic, more hourglass, more fashion-model-like, or more conventionally idealized.
Do not reduce body mass. Do not elongate the limbs. Do not narrow the waist. Do not shrink the arms, thighs, hips, torso, or face.
Identity Fidelity:
Preserve the reference subject’s facial structure, skull shape, facial proportions, skin tone, undertone, natural skin texture, pores, asymmetries, imperfections, and hair color.
Do not beautify, stylize, smooth, reshape, normalize, balance, or idealize the face or body.
Hair:
Use the hairstyle from the extracted scene, but apply only the reference subject’s natural hair color and texture.
Pose:
Preserve the pose from the extracted scene, but adapt it naturally to the reference subject’s original body proportions and mass. Do not force the pose to create a slimmer or elongated body.
Environment and Lighting:
Preserve the extracted scene’s environment, perspective, lighting direction, shadows, atmosphere, background, and object interactions.
Clothing and Details:
Preserve the extracted scene’s clothing, accessories, materials, seams, textures, jewelry, nails, reflections, folds, wrinkles, and object interactions.
Rendering:
Naturalistic photographic realism with realistic human anatomy, natural skin microtexture, physically accurate lighting, realistic fabric behavior, and unidealized body structure.
Negative Constraints:
No slimming, no body reshaping, no leg elongation, no waist narrowing, no beauty correction, no athletic normalization, no fashion-model proportions, no facial reshaping, no skin smoothing, no anatomy correction, no stylization, no pose reinterpretation, no outfit change, no background change, no lighting change.
Output Format:
Vertical portrait composition, 1024x1536 resolution.